Tipperary Dance presents VIS MOTRIX & ATLAS da BOCA
VIS MOTRIX creates some strange as well as fascinating beings. The dancers seem to come from another world, they move through space and merge into an organism, a mixture of human being and machine, creating a hypnotic power that one cannot escape.
What is the driving force, the soul [Vis Motrix] behind the movements of these hybrid beings? With this production, Cocoon Dance continues its research into the “unthought” body: transhumanism as a traumatic round dance that does not leave our unconsciousness untouched.
The collective project CocoonDance, led by choreographer Rafaële Giovanola, winner of the FAUST Award in 2022, has firmly established itself within the international dance scene. Founded in 2000, the company has been active on five continents ever since. Almost limitless body research and collective decision-making processes form the basis for the intensity and consistency of their works, which fascinatingly and disturbingly challenge conceptions of movement and the body time and again.
ATLAS da BOCA explores two trans bodies through the mouth. As a symbol, the mouth becomes the interface between the public and the private, between the erotic and the political, between silence and the lasting word. Questioning the ‘word-gestures’, this piece delves into the moments in which the mouth hardens, letting the words come out roaring.
Content Warning: Nudity / 18+
About Gaya de Medeiros
Gaya is a choreographer and producer from Brazil, currently based in Lisbon, Portugal. She studied Animation Film and worked for nine years as a dancer and co-creator at a Brazilian Dance Company. In Portugal, she has worked with several artists such as (ASK ARTIST)
In 2021, she created her first piece, ATLAS da BOCA and in December 2022, she premiered BAQUE. Gaya founded BRABA Plataforma which aims to support, enable and finance initiatives led by or focused on the trans community. Her artistic research ponders upon dance, words and affection.
Image: CocoonDance VIS MOTRIX photo by Klaus Fröhlich